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Formations calligraphy in figurative paintings Artist yen Jamil Hamoudi and Sami proof A comparative study | ||
| Journal of Nabo | ||
| Article 1, Volume 0, Issue 9, 2016, Pages 43-73 | ||
| Author | ||
| Tariq Saeed Habib | ||
| Abstract | ||
| The Arabic calligraphy important tributary of the Arab and Islamic art, was what prompted artists Arabs characters during the forties of the twentieth century after openness and access to international artists experiences in different trends and currents of international art movements, which emerged quite a few Arab artists in the direction of Arabic calligraphy stream, Researcher arose after extensive study by choosing two well-known artists and pioneers, who have long experience in the field formations calligraphy in contemporary figurative painting two artists (Jamil Hamoudi of Iraq - and Sami Burhaan of Syria) sample his research. He held a comparison between these two plates artists in terms of formations calligraphy for them, and the results were as follows: 1. Influenced by these two artists, craftsmen international art schools (Abstract- Cubism- Surrealism) being the expatriates lived a long time in the land of Europe. 2. Whose interaction the Arab-Muslim heritage and Reflection on contemporary figurative paintings for them through their use of Arabic letters and formations of philosophical and spiritual reading the artist Sami proof, and the significance of graphical symbols of cultural, religious and social Jamil Hamoudi the artist. 3. Calligraphy are all formations for them to read, balance and symmetry, sovereignty and harmony. | ||
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