- All Journals
- Al-Qadisiyah University
- Basrah University
- Kirkuk University
- Mosul University
- The Iraqi Borad for Medical Specialization
- University of Anbar
- University of Technology
- Al Mustafa University
- Al-Zahraa University for Women
- Alnoor University
- Kunooz University
- Misan University
- Ninevah University
- Tikrit University
- University of Al-Hamdaniya
- University of Kerbala
Sensory and imagined in art Alsobriala | ||
| Journal of Nabo | ||
| Article 1, Volume 0, Issue 9, 2016, Pages 125-146 | ||
| Abstract | ||
| The current research dealt with (The sensory and imaginary in the Superrealism art) and aimed to discover the cognitional, sensory and imaginary mechanism of Superrealism art as this art has a cognitional privacy dropped shadow on the virtual treatments within a distinguished style was not familiar for other modern and postmodern movements. So the reasons of the research came up to the following question : What is the mechanism of the sensory and imaginary in the Superrealism art and how were objects embodied through this mechanism In the time period since (1982 -2013)? Second chapter , the theoretical frame, consists of two sections, first one dealt with intellectual and conceptual parameters in the sensory and imaginary in the modern philosophy and its modification in post –modernity intellect and exposing most important concepts of post-modernity that infect on community and art. Second section dealt with sensory and imaginary in the modern art as it correlated with affecting on the art of post-modernity, then showed the movements of post-modernity period within the limits of the research. Third chapter was specialized with studying the sensory and imaginary in the Superrealism art . The two chapters (first and second) resulted in the following most important results: • The Superrealism art was characterized with showing most tiny features of the view more than the eye or camera can pick up and that was so extraordinary for any other artist movements included with the reality movements. • The Superrealism artist intended to take out the visual shapes from its sensory space to imaginary through employing the sensory objects with new relations and direct the work to be shocking effect upon the spectacular and feeling of astonishing amazing feeling and bizarre, that was main reason to call the Superrealism with extravagant and magician (unreality). | ||
|
Statistics Article View: 78 PDF Download: 10 |
||