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Alalamatah communication systems in the text Contemporary ceramic Iraqi | ||
| Journal of Nabo | ||
| Article 1, Volume 0, Issue 9, 2016, Pages 229-260 | ||
| Author | ||
| Ibtisam Naji Kazim Ali al-Saadi | ||
| Abstract | ||
| The multiplicity of cash curricula in reading the artwork open a wide range of knowledge on the agreed approach to the text and ceramic viewed from multiple angles and communicative one of the processes that are based on the principles and characteristics of the methodology to be the mark (the meaning of the mark) basis, which drives the trends Center. The current research has dealt with (communicative Alalamatah systems in contemporary ceramic Iraqi text) study the nature of the communicative process as a cash transaction made strides and became part of the contemporary knowledge that contributed to the cross-fertilization of science and rendered its laws and promised technology to detect multiple concepts in various fields including trade, culture and the significance and Alsemiae which Find necessarily pay to go into the mechanism of functioning in the visual arts trends and (porcelain) in particular. Find the four chapters contained included the first chapter to illustrate the problem of research and its importance and the need for him as well as the aim of the research, which (known as communicative Alalamatah systems in contemporary ceramic Iraqi text) as chapter included limits Find temporal and spatial, objectivity and identify idiomatic and procedural definitions The second chapter includes the theoretical framework which included two sections first worked on the communication between the concept and the significance and the second dealt with contemporary Iraqi porce lain contexts communicative has been allocated the third quarter to display the search procedures, as it stood researcher in front of the research community and chose the sample in a manner deliberate certified descriptive analytical method in the research sample analysis The fourth chapter dealt with the search results It is the most important: 10 The emphasis on contextual relationships and use of the mark within the context shows us how to use the artist signs and Twasalitha according to age contexts to clarify . 20shows that there is antagonism and conflicts between semantics and context relationships which reflect negatively in the understanding of the work and interpreted across guess concepts sink in shades of meaning of which show significant meaning, which is different from the context of forms and labels, which confirms the importance of disclosure of meaning incognito. And not in conformity to the meaning and significance of this is what resulted. The conclusions of the most important of which was: 1. communicative aims to creative and artistic texts, including the analysis of all components and elements and how to collect the artist signs and symbols and how Taalgaha Baksidih conscious. 20visual signs that the ongoing analysis and units as integrated signs Bmlamhaa distinct from all parts to represent the starting point, which is focused by the receiver ..The list of proposals followed sources and references the research. Then she displayed the results and their discussions and finally she typed down the references list . | ||
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