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Float time in the texts of Caryl Churchill's play Play (too far) model | ||
| Journal of Nabo | ||
| Article 1, Volume 0, Issue 9, 2016, Pages 261-281 | ||
| Author | ||
| Amer Sabah Nouri Almrzuk | ||
| Abstract | ||
| Time is directly linked to the life of the individual and the consciousness since ancient times, he fumbles this link through living in a world that is changing around him constantly according Succession day and night , the seasons, birth and death, even he himself is constantly changing, a live time integral, oral most within the last fabric the present and the future. Through the development of the individual culture became consciousness in time has a different from what has been marketed, since time began permeates everything as an agent of change (past and future), it is the dominant culture and consciousness, and appeared to his view of the future stems from the heart of the sense in time, it may be a desire to change as a result of unhappy with the present ,or as a result of feeling that the future carries something different from the past. This view towards the time took her way to the theater also having achieved a presence in life, and found Engaged in theater themselves Checking the time all of the flying and his authority and his thoughts, after the theories of literary and artistic modern exceeded most traditional Aristo telian concepts that were limiting play wrights ambitions who felt some need to emancipation of Bodqp Aristotle(384_322q.m) and its constitution dramatic. It is theatrical experiences that have taken decades central focus constructed by texts play important is English play wright Caryl Churchill’s experience (1938 _ )which is one of the play wrights European contemporaries who were interested in time. | ||
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