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Psychological dimension to the characters Jabbar Sabri al-Attiyah play (Text play intractable case of a model) | ||
| Journal of Nabo | ||
| Article 1, Volume 0, Issue 9, 2016, Pages 325-354 | ||
| Author | ||
| Tariq Hussain ultimate Almhnawa | ||
| Abstract | ||
| The theatrical text is regarded as one of the literary genres that have a direct impact on the social cultural, reality in the sense that it is characterized with a clear tendency to acquire knowledge as well as a focus on individual experience which forms the relation of Man with his psychological status as it is his core and soul. The research paper entitled (The psychological dimension of Jabbar Sabri’s theatrical characters) aimed to study the psychological changes that the dramatist’s character underwent throughout his intellectual life along with its presence in his plays. The research is consisted of four main chapters: The first chapter contains the problem of the research which focuses on the following question: what is the psychological dimension of Jabbar Sabri’s characters in the play? It also sheds the light on the schools of drama in general considering them as the main source for creating a series of events that we can visualize through the actions of a particular character because this research is basically useful for the scholars in the artistic and dramatic sphere, especially to the dramatist to analyze the dramatists’ figures in the light of their psychological dimension. It also helps the dramatist acknowledge the motives for the characters’ actions taking into consideration their psychological analysis as well as specifying the goal that centered on distinguishing the psyche of Sabri’s characters. The spatial limits (Iraq- Basra), temporal limits (The theatrical texts released between the period 1983- 2006), topic of the research (The study of the psychological dimension of Sabri’s theatrical characters) are mentioned. Besides, the diction and terminology are also stated in the research. Chapter two (The notional frame) is consisted of two main studies in addition to stating the outcomes which result from the theoretical hereabouts. In the first study the scholar deals with the psychological dimension of the characters. The second chapter deals with intellectual sources of the dramatist in question, whereas the third chapter is limited to the research procedures in the sense that it states the research community as consisted of (9) theatrical texts. Those are written down by Jabbar Sabri Al- Attiya out of which I concluded the research sample (An unresolved case). The researcher uses the descriptive procedure in the analysis of the sample as the nature of the existing study demands. The research ends up illustrating the results that come out of the sample study along with the conclusions, recommendations and suggestions in Chapter (4). After that, the list of references follows. The results of the sample studying are briefed as below: 1.The psychological dimension of the characters in (An unresolved case) namely the visitor, the chemist, and the ghost contrast according to the cultural as well as social background of each and every character. 2.Sabri Al- Attiya uses the symbol (He) to (The visitor), (I) to (The chemist), and (The ego) to (The ghost). 3.The ideal level of the ghost clearly prevails throughout his conversations that center on law- abiding as the dramatist having very high self- esteem and morals. 4. The realistic level is obviously stated down in the character of (The chemist). The dramatist sheds light on the other bright side of society that the patient (The visitor) is supposed to see in order to get rid of his desolation, isolation and breakup with his society. The conclusions can be listed as follows: 1. Al- Attiya uses the psychological contrast which he formulates in a dramatic frame (dramatic struggle) between the psychological powers of his theatrical characters as an entrance to read and introduce his political as well as critical vision to the Iraqi people and society. This is in fact an indirect procedure to fight back the regime at that time. 2. One can trace the emergence of criticism in Al- Attiya’s theoretical texts which he committed himself to criticize the circumstances. The author succeeded in concealing his criticism behind the plot of his drama and the smart way of putting it down. | ||
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