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Visual impression in pre-Islamic poetry | ||
| Alustath | ||
| Article 1, Volume 1, Issue 215, 2018, Pages 25-36 | ||
| Abstract | ||
| I turned for through poetic images ignorance great artistic values, poets have excelled in portraying aspects of life and vocabulary, as contributed fantasies poets and versatility photographed in the formulation and Mufhomat cases in the poem ignorance. Fantasy ignorant can not be considered only a rudimentary stage graduate have characteristics that distinguish them from the primitive world is dealing with the facts as independent subjects of consciousness in many cases. No exaggeration to say that the strength of the pre-Islamic poetry plates graphic integrated poets manage to become familiar with their parts and crossed through the psychological concerns and various aspects of their lives. The most important characteristic of pre-Islamic poetry ((visual impression)) who plays fantasy in which a great important role, even if the poet seems to us as a painter witty mastered the image using the tools expressive of analogy and metaphor and metaphor to carry to the hearer or reader the impression carried by embodying's the best ofanalyzed. | ||
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