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The Narratives of Expressive Speech for Hussein Revolution in Iraqi Contemporary Painting | ||
| KARBALĀʾ HERITAGE Quarterly Authorized Journal Specialized in Karbalāʾ Heritage | ||
| Article 1, Volume 2, Issue 4, 2015, Pages 139-185 | ||
| Author | ||
| Asst. Prof. Dr. Mohammad Ali Alwan Abbas Qaraghouli | ||
| Abstract | ||
| Abstract : This research cares about the study of the topic of “the narratives of expressive speech for Hussein Revolution in Iraqi contemporary painting”. This research is divided into four chapters. The first chapter is particularized to identify the research problem، the significance، the aim، limits، and the most important terms in the research. The second chapter is particularized to the theoretical framework which included two sections: the first section is about Hussein Revolution، its principles، and the high goals. The second section is about Hussein Revolution in Iraqi contemporary painting. The third chapter is particularized to the procedures of the research. The fourth chapter is about the results and conclusions of the research. There was active and effective presence for tuff incident-in Iraqi contemporary painting -that narrates the story of Imam (Hussein Bin Ali) martyrdom and the group of his family (peace be upon them). The expressionstyles about the deliberation of aesthetic depth of the in incident، were varied according to the artist’s stylistic vision or artistic group. So، Iraqi plastic artist persevered on practicing multiple types of indicative search of Hussein revolution، within aesthetic mechanisms that relate to present new Archeologist reality through modeling those Jihadist Values on plastic plate surfacevisually .These aesthetic mechanisms present narrative existences and entities that alternate through it the effectiveness of (narration) to give perfect and idealistic interlacing between the Jihadist effect for the values of (Martyrdom، reform/rehabilitation، Justness، equality، elimination the causes of sedition، correction of the corrupted situations، correction the path of the nation that takes different way of Islam principles، the religions and social responsibility، Islam protection، and the purge the Islamic caliphate from the filth of Umayyad and other values of the high principles). The experiences of Iraqi painters، were sounding and presenting that Hussein’s Jihadist Saga، through the deep search about the aesthetics of images، symbols and human contents in the art according to real dialogic nature between the image and the effect، between the bodies and the place، and between the struggle and the emotional dimension about martyrdom values. From mentioned above، those paintings were characterized by the expressive/aesthetic and the documentary style، which is packed with pain and high expression power. In addition، those paintings express about the level of (action) through painting of shapes، symbols and battle details: struggle، horses، swords، spears، and flags، by dramatic expressive style. That style can make visual dramatic climates that lay hands the depth of (tragedy) and (injustice) that happened to Imam Hussein and his family in that great revolution. The problem of the current research is originated through answering the following question: How do the narratives of aesthetic speech of Hussein revolution present in Iraqi contemporary figuration. The importance of the current research is the study of the experiences of Iraqi painters that present the emotional research for the case of human awareness، and celebration in the jihadist situation for the son of the Prophet daughter، Imam Hussein (peace be upon them)، and he used the values of jihad، highness of the martyrdom event for the sake of Allah. The current research aims at discovering the narratives of aesthetic speech of Hussein revolution in Iraqi contemporary painting. The current research is limited to the study of narratives of expressive speech of Hussein revolution in Iraqi contemporary painting from 1965- 2011. | ||
| Keywords | ||
| Art Heritage Aesthetic Section | ||
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