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Umalbaneen and Al-`Abbas Leather Flask Reading on the Poeticism of Parity | ||
| AL-AMEED JOURNAL | ||
| Article 1, Volume 5, Issue 1, 2017, Pages 1-38 | ||
| Author | ||
| Prof. Dr. Sarhan Chaffat Salman | ||
| Abstract | ||
| ABSTRACT The research paper concludes with certain results emanating from the acts of explication to “Umalbaneen and Al-Abbas Leather Flask and thy are as follows: • The title designates the pivot of the poem and the poet coins after attaining the last; such manifests that the poem sprouts from the title; the title comes from the parity between Umalbaneen and Al`Abbas leather flask. it is a style of equality parity. • The inequality parity does not take much shrifts from the resonance of the poem; the poet runs into line with objectivity, the symbolism of the title and some pinnacles of the honest HusseinistTaff that is why the poems flows as organic and precise. • The poems ramifies into two stanzas with nine poetic units; the first cuddles four units, the second and the last does five. • At the very outset, the poet manifests himself and then manipulates both Umalbaneen and Al-`Abbas in light of Al-Taff; the path. • The poems adhere the line of edifying poetry that shuttles into the past and imbues from its pillars without being bound to the historical or past mindset; it is to contemplate and redeem certain matters and to elevate the poetic discourse into the peerage; poetry is to be transpired to the ordinary interlocutors with the mutual humanitarian precepts. | ||
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