War structure in human hair gardener flow of art connected to bereavement: a cultural approach

Gerjis Saed, Saad

	War structure in human hair gardener flow of art connected to bereavement: a cultural approach
Journal Of Al-Frahids Arts
Article 1, Volume 0, Issue 21, 2017, Pages 66-87
Author
Saad Gerjis Saed
Abstract
Ranks as the structure of the war of the structures objectivity dominant in human hair gardener, they are like all Iraqis handed over the life of the war to war, and to other, but the poet does not stop at the borders of sadness, nor stand by for pictures and scenes of war, but arrive this bereavement to receiver with a sense of art varies from one poet to another. The human hair gardener when talking about the war, and the invasion of the premises, and for joy, it in turn does not give up on the elements of composition Technical diverse, Fajtabha not addressed the media documentary, but it is a speech technician Jamali, seeks to connect more moments of embarrassment in human life. It was our approach to the structure of the war in human hair gardener through cultural criticism, we believe that this criticism runs on the detection of cognitive and cultural patterns do not stop at the aesthetic patterns texts, Vttgly the us Amadmrat the discourse at the time. This has included research on the front and the definition of the theory of communication, and the definition of the term cultural criticism, and gave a brief biography of the poet, then access to the structure of the war, has divided the research is to talk about the rights and war, talk about the weapons of war, talk about cities and war, two to say on Baghdad.
Keywords
War structure in human hair; gardener flow of art connected to bereavement

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