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Performing in Arabic literature past and present (Historical Study) | ||
| Journal Of Al-Frahids Arts | ||
| Article 1, Volume 2, Issue 19, 2017, Pages 169-190 | ||
| Author | ||
| Hasip Zidan Khalaf Al-Hadidi | ||
| Abstract | ||
| The play is a literary genre depends on dialogue, movement and conflict. Although the beginnings of the emergence of the theater was the ancient Egyptians, Babylonians, Greece, and it is based on a religious contract represented in festivals and religious events. Although the purpose and objective of the play is to create a fun and beneficial at the same recipient to embody some of the ideas of life and attitudes of the values and principles of the sublime. And that the Arabs have known theater in its various forms represented in the palaces of the caliphs and in the squares and streets, including the killing of Imam Hussein (AS) and the storyteller and retribution and the preacher and built and tales shade (Albabat) In all these appearances were theatrical elements are not integrated; the presence of the narrator and the event, characters and this is the scene in form and content together. The play of the birth of the Arab literature does not exceed the mid-nineteenth century, beginning in Lebanon initiated (Maroun debate) adult Flags drama influenced by (Molière) and its appearance is due to two factors: first, the presence of the representative of Heritage and other friction and the influence of Western civilization. As we uncovered how the birth of the theater in Iraq has had the effect of Christian religious communities in Mosul by churches and schools significant impact on the appearance of the theater's plays provide religious education for preaching and guidance. It was her concepts: religious and nationalist submit plays inspired by the heroic history of Arab and Muslim to shake the trees. The poet (Ahmed Shawki) the first to enter the poetic expression-based conflict and the growth of the event in the theater and it is the so-called (theatrical poetry). And noon mental theater at (Tawfiq al-Hakim), which was overshadowed by the actual terms and undergo idea mentality that the author wants to be highlighted through dialogue is the (wise) was the first of the books of this color in spite of the fact that the color is a general trend emerged in the last century, the French influence and some trends in world literature and passion (wise) of all that is weird and offbeat and the rejection of what is familiar to people. And he drew his themes from the (Greek mythology) and (stories of One Thousand and One Nights), including the story of (the people of the cave) and (Solomon). The play has elements represented by: the plot which is building the play of the reason for the introduction and then the evolution of the event and then the solution and personalities. The conflict, which is the essence of the play and spirit and without the play is rigid and devoid of movement and suspense. The idea is a story that is reflected in the course of events and the behavior of people and finally the dialogue that is going on on the lips of the characters. And we have uncovered an aspect of theater in our literature regarding the Arab-owned poetry and prose of methods to accommodate the ideas and issues addressed by the newly-theater writers. | ||
| Keywords | ||
| Performing in Arabic literature; past and present | ||
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