The research currently in place (the aesthetics of theSoviet sculpture
in the twentieth century) specialize Find studying Marxist theory and
theoretical foundations and mechanisms of functioning in the works
of art art Russian sculpture, the study of the first beginnings of the
art of the Soviet sculpture dealt with by the socialist realism in works
of sculpture and works that dealt with the poor class subjects and
political figures and leadership and heroic, literary, scientific, also
touched on many of the Russians and sculptors to work, and according
to the information gathered and studied the researcher was able
to try to clarify the subject of research through four chapters:
InterestedFirst chapter: the methodological framework for research,
represented by the problem of research that have been identified
through which the reasons for doing this research, and the importance
of research and the need for it, and the aim of the research of
b (known as the aesthetics of the Soviet sculpture in the twentieth
century) and the border, which was appointed by which the time
period desired studied in the Soviet Union . And it ended the first
chapter defines the most important terms in the title of the paper.
Seond chapter: it contains three sections represent the
theoreticalframework,namely:
- First section : the reflection of the aesthetic theory of Marxism.
- second section : the philosophy of the Soviet sculpture inthe
twentieth century.
- third section : the most important pioneers of the Soviet sculpture.
As well as determine the theoretical framework of indicators that
emerged during the three detectives, and touchedon earlier studies
to look.
The third chapter: research procedures, have been identified as the
research community and the sample taken from him,and show the
approach taken in the search, and search tool, theend of the analyzed sample consistingof(5)models.
The Fourth chapter: has included the findings, conclusions, recommendations
and proposals, and the findingsoftheresearcher:
1. advocated Marxist theory (Art Society) and overturned the theory
(art for art), because art community the best way to get to the poor
class and the expression of humanitarian issues drawn from everyday
life and make art for society as a whole, after it was art only
for art and artists, so as to strengthen the relationship between Art
and life of the people, and urged the community to achieve new
successes in building socialism communism.
2. marked by acts of socialist sculpture embody leading political and
literary figures as a result of their significant role in building the society,
and its achievements of the Championships and national positions,
which is an attempt to show the great importance of science
Marxist beauty in the art of sculpture avant-garde and progressive,
due to be confined to function as such, political Pure ideology.
One of the conclusions reached by the researcher:
1. The emergence of the philosophical dimensions of Marxist theory
in the art of sculpture Russian Socialist clearly, where concepts and
Mattiytaha emerged in the subjects taken from the simple proletarian
society.
2. might turn socialist art to portray a lot of social, political and
other cases, the implementation of the plan of Lenin as monumental
propaganda carried out by the massive monument monumental
play the role of witness ideological primarily devoted to these works
suggest thespiritoftheSovietchampionship.
The researcher has proposed a study of: (sculptural scenes of gravestones
in the Soviet sculpture). |