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The structural characteristics of the form in the Turkish ceramics | ||
| Journal of Nabo | ||
| Article 1, Volume 0, Issue 13, 2016, Pages 87-113 | ||
| Authors | ||
| Mohammed Ali Alwan; Janan Ali Mohamed | ||
| Abstract | ||
| The research deals with (The structural Characteristics of The form in the Turkish Ceramic) has four chapters, first chapter dealt with problem of research and, importance of it and the need for it then specifying most important terms mentioned within the research, the problem of research is represented by tackling the structural characteristics that recognized the works of Turkish ceramic, with all their optical information, the problem of research has showed an urgent need to a reply for the following enquiry: - How could the Turkish potter to show his ceramic works through variable and active structural characteristics ? While the importance of research was representing an attempt to identify and specifying structural characteristics of the Turkish ceramic and also represented a simple scientific effort will be added to other student’s efforts in the field of Islamic art generally and ceramic particularly. Also benefits the specialists in knowing the aesthetic and structural of Turkish ceramic forms and fueling general and special libraries with artistic and scientific effort in the field of plastic arts. The research discovered how the Muslim potter is concerned about the aesthetic and Islamic side and achieve this concern in his arts, while the goal of the research was represented in (Knowing the structural characteristics of the form in the Turkish ceramic) and the research was limited with studying the ceramic works done in Ottoman era in Turkey within the specified period of ( 10-12) A.H (16-18) A.D, while the second chapter was represented by theoretical frame including two sections: First section concerned with (Constructivism of the form between elements and basis of organizing) while the second section concerned about (Studying the Islamic Turkish ceramic) , theoretical frame was finalized with a bunch of indications and the previous studies. The third chapter tackled with the procedures of research that included specifying the population of research and choosing the sample of research then analyzing it. While the fourth chapter included results of research, conclusions plus to recommendations and suggestions, some of the results got by the two researchers are: 1. There is a significant development in the structural characteristics of ceramic forms (vegetarian, geometrical, human) over time stages as we can see a particular method in each period in the century (16,17,18). 2. There were some changes have happened in the structural characteristics of the Ottoman decorations, in respect of shape structure, in term of geometrical, vegetarian , human forms and art of font. Some of the conclusions are: 1. Peculiarity of modifying forms which got highest rates in Ottoman decorations is because of that the artist depended on the following motives: a- The Islamic ceramic based on simplifying and take forms away from its natural size to a mere aspect. b- Modifying forms is resulted from the innovations of the artist and his wide intellectual ability, he quoted his themes from the nature and add to them or modify them provided that these aspects still have their reality feature. 2. Ottoman ceramic is well known with a unique peculiarity is variety of colors in one work with making use of the background color in the same time to add aesthetic value for the artistic work. Keywords: The structural Characteristics, the Turkish Ceramic | ||
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