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Aesthetics vegetal decoration executed on the metal artifacts in the threshold of the Holy Hosseinieh Museum | ||
| Journal of Nabo | ||
| Article 1, Volume 0, Issue 13, 2016, Pages 143-161 | ||
| Authors | ||
| Mustafa Shawki Ali al-Moussawi; Alaa Ahmed Aboud Zia | ||
| Abstract | ||
| Addresses current research is marked by (the aesthetics of vegetal decoration executed on the metal artifacts in the threshold Hosseinieh holy museum) was interested in studying the multiple decorative formations and executing different techniques in performance and style and of the products of Islamic art, as it were divided current research into four chapters, the first chapter contains a problem interested aesthetics diverse in style and decoration and technical performance of the most important metal artifacts as a symbol for technical style in the Islamic era as well as the importance of research and the need to target down to the limits and search terms. The second chapter included a theoretical framework and previous studies, which included two sections: Section I eat: Islamic decoration (references and configuration items), while the second section included: nature of the decorative arts in the Islamic (technical applications). Down to the indicators resulting from the theoretical framework. And ensure the third quarter, which contained the research community’s number is (40) a model of metal artifacts in the threshold of the Holy Hosseinieh Museum as well as the research sample the (5) model has been analyzed in accordance with the curriculum content analysis. The fourth chapter, which guarantees the results of the most important: 1. artist adopted the process of vaccination enamel to give the versatile metal masterpiece in the configuration as well as Altkvi enamel to give shape Theophorus enamel rule in the central and aesthetic. 2. cared artist distasteful regimes redundancy in the production of watch formative through the adoption of an integrated and interrelated and decorative units granted by the public scene rhythm physically infinite repetition in the stretch in the spaces of the artwork. The study found a set of conclusions including: 1) interested in the Muslim artist centralism, in the production of various compositions with motifs repeated in the visual one scene. 2) contributed to the teachings of Islam in the Muslim artist vocabulary use of the abstract nature of the achievement of a high aesthetic forms in nature is characterized by diversity in the decoration towards innovation in Islamic architecture and the arts. And ending with the current study proposals that were the most important of the study: (a decorative metal configuration Antiques structure in the threshold Razavi Museum). And finish with a list of sources and references. | ||
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