Representations sustainability of life in the old Iraqi art (pottery of Samarra, the fifth millennium BC

Imran Raji, Mackie; Ali Hussein, Huda

	Representations sustainability of life in the old Iraqi art (pottery of Samarra, the fifth millennium BC
Journal of Nabo
Article 1, Volume 0, Issue 14, 2016, Pages 35-55
Authors
Mackie Imran Raji; Huda Ali Hussein
Abstract
The research currently in place (representations sustainability of life in the old Iraqi art (pottery of Samarra, the fifth millennium BC), where the man was old close to the surrounding nature Vansjm with them first and then claimed Looking at her, trying rating movements and regulating its relationship with them. Before we explain the phenomena of the universe and looking for the etiology of transformations of nature was facing these phenomena and transitions psychological emotions, Veptahj to suggest joy where and depressed and sad to suggest melancholy and sadness. he even promised these feelings has necessarily inherent natural interactions, and wrote her rituals and holidays free he shared them as a reaction to what is changing around him, he scenes, and whole scenes with emotions was excited and felt the desire to struggle alongside the likes and feels the desire in giving and sacrifice for what tends to him and wishes the NFL. And ensure search of four chapters neither those first on the methodological framework of the research consisted of identifying the research problem and its importance and the need for him and also its target (b detection and encoding of the concept of sustainability of life in the old Iraqi porcelain mechanism (fifth millennium BC). While the second chapter contains the theoretical framework which Ahthy on the terms of reference of the sustainability of life in humans since ancient times. while Chapter III contains measures research community and appointed consisting of 10 samples analyzed .. down to the fourth quarter, which contained the search results and the most important are: 1. You can not separate the image of the ancient Iraqi art for thought, the old Iraqi art sheer robe wearing the sacred, and formed a central focus of the conflict structure move in its orbit image expression of the sustainability of life in Samarra, as in the sample different models Pettmthelat. 2. The parent unit and configuration: Iraqis said the ancients their firm belief that the things of the universe back to the origin of one, a (water) has been shown to us in the sample model (3) in lines or linear configurations, or by reference to him Pets water like fish, or birds living in an aqueous environment. As well as to contain some of the most important conclusions: 1. The energy expressive creative with the old Iraqi artist for philosophical with placed after Antlogi refers to the authenticity of this civilization and depth of the intellectual and ability deep in conclusion, contemplation and interpretation, and thus formed the first building blocks in the human thought to contest the midst of the great questions of existential, Iraqi art and ancient pottery and conclude cylindrical The statues and murals bus so. Down to the proposals where researchers conduct some of these studies including: (environmental impact in shaping the contours of the speech live in the old Iraqi Arts.)

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