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The aesthetics of the human form in the sights Almnfzhaly Islamic Fatimid ceramics | ||
| Journal of Nabo | ||
| Article 1, Volume 0, Issue 16, 2016, Pages 13-37 | ||
| Authors | ||
| Mahmoud Ajami Jassem; Maysa Salim Abdul Wahid | ||
| Abstract | ||
| This research study concern with (the aesthetics of the human form in the sights executed on Islamic ceramics Fatimid), which is located in four chapters: Chapter One included a presentation of the research problem identified by asking the following: Makaddr achieved aesthetic act anchor and as a value to embody the human form in the sights executed on Islamic ceramics Fatimid ? It came the importance of research and the need for it in terms that benefit people interested in art in general and potters in particular, through the statement of the aesthetic value of the scene collage ceramic work in the Islamic Fatimid era. The need to this research represents an attempt by the researchers to fill the vacuum in this important area of artistic composition that the issue needs to be enriched in this area of research, and to reach the desired results. The objective of the study lies in: (you know the aesthetics of the human form in the sights executed the Islamic Fatimid ceramics). And identifies research study of the human form the port on the surfaces of ceramic plates from the Islamic Fatimid era, and the magnitude of the aesthetics of composition within the overall composition of the scene photographer, and within the specified period of time between Century (5-6) e / (11-12 m). As the second chapter: it has included theoretical framework and studies approach and the neighboring (former), which contains two sections: Me first research study: Art in the Islamic era Fatimid, and Me second section study: ceramics in the Islamic era Fatimid concluded the theoretical framework of a set of indicators, and studies approach and the neighboring Previous . The third chapter dealt with the research procedures included identifying community search and selection of research sample the (4) ceramic works, then the search tool and a description and analysis of the sample. While the fourth quarter included the results and conclusions of the research, as well as the recommendations and proposals, it is among the findings of the researchers are: 1. aesthetic value achieved through processing shapes and Tanasbadtha and balances the level that indicates the accumulation of Potter’s experience and breadth of applications, all of which the human form of sovereignty center in the overall composition on the surfaces of ceramic plates, achieved in the research sample all models. 2. diversity studied the forms of organization conscious of the elements of the decorative configuration shares, in all the research sample models, to find Tnasagah relationships worked to increase the thrill vitality and give the landscape collages, and achieved the unity of a comprehensive coherent according to the principles configuration, influential vision aesthetically. One of the conclusions reached by the researchers are: 1. represent the vocabulary of the topics that were common in the Fatimid era and embodied human forms, in which the representation of the people and the kings or princes of this covenant, which came on the format of the configuration printed results of his time than others from the art work in this direction. 2. configuration format came loaded on the themes embodied dishes especially Knsag to engage and filmed some of the forms in which human manifestation of opulence refers to the prosperity and stability of the present Covenant on different ascend One proposal reached by the researchers are: 1. Aesthetics animal shape in the viewer executed on Islamic Fatimid ceramics 2. Aesthetics plant shape and Aharovi scenes in executing the Islamic Fatimid ceramics The study concludes with a list of sources and references, and appendices and the abstract in English | ||
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