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Personal usurped and their impact on the construction of the narrative novel (Banquet for Seaweed-commend death) | ||
| Journal of Literature Ink | ||
| Article 1, Volume 1, Issue 11, 2018, Pages 67-114 | ||
| Author | ||
| Dr . Zainab Abdul Amir Hussein al-Qaisi | ||
| Abstract | ||
| This research is about the hopeless personality in the novel of Haidar haidar to Mahdi Jawad. The novelist tried to address the idea raises problematic dialectic that loss suffered by the human personality of the defeated, and perpetual various attempts to get rid of this case. He expressed this problem by hugging two experiments within different environments, human experience in the Iraqi revolt against the tyrannical National Authority, and the human experience in the Algerian revolution against French colonialism strenuous. The characters in both trials failed a major failure in achieving the desired success. Which led them to lean on the self and the search for different ways to salvation. We have divided the characters of the novel, according to the emergence of the idea of alienation, and the kind where, to the main two types: Type I: (personal perceived to Astelabha) and the second mode is perceived personal : (to Astelabha) . And adopted a standard special in the classification of the characters usurped within these two types, which is the integration of the personal with the reality, or lack of integration with him and rejected him, we have found through induction Comprehensive figures that the pattern (personal perceived to Astelabha) his body, the main characters composites, actors in the construction of the event, and influential in the construction of the narrative. It should be noted that all of them represent a model (the rebel Revolutionary) we called personalities perceived to Astelabha, because they are conscious and aware of the state of alienation, which led to him, occupied a large area of the narrative. It was baptized novelist to describe precisely at the level of the figure, and at the level of thought and ideology, behavior and acts, as well as drawing dimensions psychological, and their internal cross artistic techniques through the use of modern technology and stream of consciousness writing diaries, dream, and introspection | ||
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