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The Shape Theory In Drawings Of The Orientalists | ||
| Alustath | ||
| Article 1, Volume 2, Issue 222, 2018, Pages 1-26 | ||
| Abstract | ||
| The Current Research Deals With, The Impact Of The Shape Theory In Drawings Of The Orientalists, That Poses From An Aesthetic Phenomenon Filled An Important Place In The Tracer Form Of Public Discourse Plastic And Drawings Of The Orientalists In Particular. The Basis Of Aesthetic Vision, And This Research Includes Four Chapters, The First Chapter Has Interested In The Methodological Form Of The Research Represented By The Problem Of Research Identified Study (Shape And Dimensions Of Cognitive And Formative And Remember In Drawings Of The Orientalists) And Confine Search To Find The Relationship Between The Pillars The Shape Theory In Drawings Of The Orientalists Of The Year (1865 -1900) From The Displacement Of Painters To The East In The Golden Their Time, And The Adoption Of The Descriptive Approach Within The Philosophical And Aesthetic Vision.The Second Chapter Consisted Theoretical Form, Which Included Three Sections Address The First Topic Shape Theory And General Concepts The Second Topic Dealt With Orientalism And Its Objectives And The Third On The Arab Aesthetic Components In The Environment Of Drawings Of The Orientalists.The Third Chapter, Which Included The Research Community And The Research Sample And Analysis Of Samples Of (4) Plates. The Fourth Chapter Has Included The Search Results, Which Came From The Expressive Content And Ideas Inspired Creative Way Reflect The Aesthetic Vision Of The Capabilities Of Technical Knowledge Combined With A Coherent And Harmonious Relations In The Artwork Orientalist. Conclusions And Came To Show The Possibilities Of Achieving The Objectives Of The Research And The Researcher Worked Hard Remembrance Of The Recommendations And Proposals, Followed By The List Of Sources And Formats. | ||
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