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Coding the Show Space in Image Theatre | ||
| Al-Adab Journal | ||
| Article 1, Volume 0, Issue 118, 2018, Pages 393-416 | ||
| Author | ||
| Riyadh Shaheed Ali | ||
| Abstract | ||
| The technical elements of the space of the stage is regarded the general framework of the theatrical show. Image theatre has targeted this vision by confirming on the importance of visual and auditory system as well as motional vocabulary as a fundamental communication language with the recipient via the excitability interpretation component to decode the image scene intellectually, physically and aesthetically. From here the researcher deliberately identified his research title (Coding the Show Space in the Image Theatre) and chose a play (Macbeth), directed by Salah Al-Qasab as a sample for analysis and to achieve the goal of the research in presenting the mechanisms of coding the show space as scynography. The research is divided into three chapters. Chapter one discussed the methodological framework including the problem of the research, its importance, the goal, the limits, and terms definition. Chapter two gathered three sections. The first spoke about image structure theatre and concept. The second discussed the elements of coding the scene space while the third talked about image components and the level of interpretation, and ended up by indicators of the theoretical framework. Chapter three discussed the research community and its sample, as well as identifying the research methodology and analysis tools, and sample analysis and presentation of codes of the image of theatre and their impact on the activation energy interpretation of the recipient. Results and conclusions came by the end of the research. | ||
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