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THE ECHOES OF IBSENISMIN STRINDBERG’S DRAMA | ||
| for humanities sciences al qadisiya | ||
| Article 1, Volume 11, Issue 1, 2008, Pages 73-92 PDF (0 K) | ||
| Author | ||
| Mithal Madlool Chilab | ||
| Abstract | ||
| ABSTRACTHenrik Ibsen (1828-1906) and August Strindberg (1849-1912) are two modern dramatists who belong to different nationalities (the first is Norwegian and the later is Swedish), but they are almost alike in tackling social subjects. Both playwrights’ drama have been characterized by a powerful style and coloured by didactic and psychological impulses that make Ibsen’s theatre as well as Strindberg’s a mirror that reflects the reality of modern life in general and modern woman in particular. Actually, Ibsen, the father of modern drama, and Strindberg, the highly controversial figure in modern dramatic literature, are two Scandinavian dramatists who join their hands in many aspects and reflect their hostility in others. It is true that each one has his uniqueness and significance in the development of modern drama in particular and modern literature in general and it is equally true that the interpretation of one’s work is done with a reference to the other’s. In brief, Ibsenism is the modern dramatic school whose initiator is Ibsen and strindberg is one of its talented students | ||
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