From the references of Abdul Wahid lualua,a cash criticism modern Western

	From the references of Abdul Wahid lualua,a cash criticism modern Western
journal of kerbala university
Article 1, Volume 13, Issue 3, 2017, Pages 1-11 PDF (0 K)
Abstract
Critic Abdul Wahid Pearl is one of those who refined their monetary potential by looking at the modern Western monetary achievement; with all its symbols of great critics; they had a clear silence in the field of modern literary criticism. Modern literary criticism began in the sixteenth century in France and Italy. Critic Abdul Wahid lualua,a has made him a critical critic; he returns to him in all the perspectives and applications he needs to make use of his critical writings both theoretically and practically, whether those references are critics, poets, or novelists. In his critique of prose, Denis Johnson-Davies relied on analysis and critique of Jabra Ibrahim Jabra's novel. In the poetry, Blackmer was a critic who formed a critical reference to him in his critique of the poem by the poet of Stephen. Thus, in the rest of the critics whose critical views, views, and outlooks penetrated the criticism of the critic Abdul Wahid for the purpose of him; to be critical of his power, ability and clarity; Access to its intended purpose in perpetuating its monetary operation. Critics who have made critical references to pearls are many (Johnsen Davis, Blackmer, Amersson, Tyson, Colerage, Pound and others. However, the most critical reference in the writings of Abdul Wahid is Pearl: he is the critic, ie, Richard. He was a professor of pearl in America. He can be described by Pearl as a critic's critic and he calls him "my teacher"; as well as two others, Arnold and Elliott. They have occupied the critical mentality of Abdul Wahid Pearl in many of his critical writings in prose and poetry.

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