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Modern formation in the poem of her tomb or the "valley of peace" For the horse of woodcutter | ||
| Al-Adab Journal | ||
| Article 1, Volume 0, Issue 123, 2018, Pages 37-58 | ||
| Author | ||
| Areej Kanaan | ||
| Abstract | ||
| Since the middle of the last century, the Arabic poem has undergone a rapid series of changes, including content related to the structural structure of these changing contents, to the extent that we can prepare an unstable poem in a specific style or form that changes from one generation to the next. We can promise - if not exaggerate - that each modern poem is a unique text trying to make a different way from the above, whether different text of the poet himself or trying to be unique to other poets, especially Magalien him, to achieve thez quality of creativity and uniqueness first and the privacy of the experience Poetry and life for each poet of them, as well as The difference of cultural references on which each poet is based is certainly not the same for everyone. Each has its own sources, which share with others in some parts, but it is certainly different from them in many things, especially those who occupy their thinking and their results, the modernist concern looking for new formations attributed to them and achieve them. That uniqueness is sought. And the attribute of creativity can be added to the poet (Jawad Al-Hattab) based on the text of the subject of the lesson here, P (grave or Valley of Peace Valley) text can apply to all the modern features that we mentioned earlier, Jeddah in the subject or in other words Jeddah in the subject As well as the structural formations that organized the parts of that text based on the experiences of the poet and the stimulants, which inspired him to create the new creation of a modern text formulation and style and a path, sewed him a new pattern of relations can be prepared individually distinguish this text, adding to the creator of creativity And the uniqueness away from the authority of the previous text Patterns. | ||
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