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Paronomasia Juxtaposition in Al-Hareeri’s Omani Maqam | ||
| Journal of The Iraqi University | ||
| Article 1, Volume 0, Issue 38, 2018, Pages 401-418 | ||
| Authors | ||
| ; ; Haider Ahmed. Hussein Al-Zubaidi | ||
| Abstract | ||
| The aim of this study is to reveal a new rhetoric style known as stylistic juxtaposition, in literary texts, especially prose, which is known for rhetoric flow and compositional structure which creative artists were keen of creating in their texts. We have chosen this new style of maqam because it is a manifestation of elegance and creativity in Arabic. Furthermore, it combines literary uniqueness, linguistic phraseology, and social criticism that is based on comedy and sarcasm. The maqam that draw our attention was Al-Hareeri’s Al-Maqam Al-Umania, because of its undeniable benefits and distinct style based on digging the depth of unchartered cultural order through various rhetorical and linguistic tools, mysteries, and puzzles. Stylistic juxtaposition is the most notable among such tools in this maqama, as one of the acoustic manifestations, pun juxtaposition, dominates with its forms and different and different rhythmic parts next to other rhetoric styles, rendering that maqam a poetic portrait in every aspect. Hence, the title “Paronomasia Juxtaposition in Al-Hareeri’s Omani Maqam”. | ||
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