The Imaginary in Abu AL- Alaa AlMaari (Resalat Al- Kuffran) Message of Forgivness

	The Imaginary in Abu AL- Alaa AlMaari (Resalat Al- Kuffran) Message of Forgivness
JOURNAL OF THE COLLEGE OF EDUCATION FOR WOMEN
Article 1, Volume 28, Issue 4, 2017, Pages 1135-1148
Abstract
Abstract The )Resalat Al-Gofran) which means to Abi Ala Al-Ma'arri is included in the studies of prose in Arabic literature. The study of the "Message of Forgiveness" was passed in two stages. The first is the traditional linguistic study, specifically the rhetorical one. The second study, which took place in the sixties of the last century, was conducted in the light of comparative literary studies, after Dr. Taha Hussein summarized this letter and rid it of its complex language and after Dr. Bent Shati achieved it. Dr. Lewis Awad relied on her study in the light of comparative studies, Which appeared in Europe in the modern era and was able to discover similarities between them and the old texts that dealt with the subject of "literature of the brotherhood," as called Lewis Awad, has made comparisons with the texts that included this type of literature, compared with (Odyssey) And with (alias) to Virgil Not only did (Lewis Awad) compare these with the texts that preceded (the message of forgiveness), but the impact of (the message of forgiveness) on the divine comedy of Dante or the so-called hell Dante, and add to it another narrative text published in Egypt in the early sixties, a novel (Maasat condom real) to Ahmad Mahmoud al-Zubairi, the well-known Yemeni poet and writer, which narrates and dialogues in the past and in Paradise specifically, as well as images of its scenes with the martyrs and friends, The characters known to Zubairi. This study is based on a European theory that emerged in the second half of the 20th century. It is a modern theory that combines the theory of comparative literature with the structural and stylistic theory. One era to another in a single civilization or between different world civilizations, a theory that deals with the intellectual, literary and artistic creative trends and races from one era to the next and from generation to generation and from one civilization to another. This theory reminds us of Ibn Rushd's theory and the intermarriage between these two things, namely, the Arab-Islamic culture and the foreign culture: Greek, Arabic, Persian, Hindi at that time, this mating that produced us something else or text that carries the ingredients of the culture of the interior, as well as the culture of the outside, and the details of research explained to us that.

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