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The aesthetic use of scientific terminology and the manipulation of words and letters in the office of Ibn Nabata | ||
| Adab Al-Kufa | ||
| Article 1, Volume 1, Issue 36, 2018, Pages 105-136 | ||
| Authors | ||
| Ahmed Karimi; Syed Mahmoud Mirzaei Al-Husayni; Ayad Nisi | ||
| Abstract | ||
| Ibn-e- Nubata lived in the era of tents using the virtuosity of words and the decoration of words and recitation of the literature in general literature and poetry especially. The poets have become more eloquent than their virtues in their productions, and the resort to industry and cost has become a prominent feature in contemporary literature and a far-off course to highlight the literary ability and linguistic richness of poets and writers. Ibn-e- Nubata Al mesry was not immune to this tendency. But it is going to be treated and swallowed to become a distinctive character of his poems. Sometimes they are tempted by the verbal enhancers and employ them to press some of his poems and we are exposed to it once, as he manipulates the words and the letters, separates them, interrupts them sometimes, and pronounces them to produce new words that enrich his poetic output, And to be a manifestation of his linguistic ability and flexibility in the conduct of words and their manipulation and manipulation, And may see him in many of his poems tend to language terms and borrow from the poetic material to express his concerns and what is boiling in his chest of emotions and pain, and to whiten the meaning or import in a new way that makes the reader pause a little to stand on the poet Murad. It is not hidden to the reader that the study of these terms reveal some of the hidden ideas and ideas and reveals the extent of his knowledge of the sciences that employed the terms in his poetry, and show how the poet was able to employ the grammar and especially the grammar to increase meanings and generate old meanings and create Poetic images Hence, this research depends on the use of terms in poetry, focusing on grammar and morphology, as well as manipulation of letters and words. | ||
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