Offset the dramatic embodiment of the incident in the Iraqi theater Almasrmesrahih text (in Upper love) model

	Offset the dramatic embodiment of the incident in the Iraqi theater Almasrmesrahih text (in Upper love) model
Journal of Nabo
Article 1, Volume 0, Issue 5, 2016, Pages 1-15
Abstract
Based drama in general on various topics as Outpouring of each topic threads and details plotted on the basis of which the plot according to the visions of the intellectual author of the account received the first of meaning consistent with the impression of the event within the system of social impossible later to the system dramatically Istsaga them the rest of the recipients - according to stages of the reception - Some of them explains, some of them embodies the ... down to the formats aesthetic sequence, but the process is sequential this involved under the composition of the incident dramas that make up the space aesthetic and intellectual sense of the structure Alhaddtheh toward the interaction of conflict with each other to create a belief among the receiver when you reach the peak and this conviction necessarily generated based on the amount of displacement that is inversely proportional to the size of dramatic incident, as the smaller size of the more dramatic the incident became even more space joke is in the end to reach a new building at the receiver, the process of displacement is the dramatic cognitive constructivism is based on the construction of the meanings that lead to displacement later, taking off from a starting point the event down to the unit cohesion of knowledge in the mind of the recipient associated with the attractiveness of the incident dramas in the event that there is enough material to make a practical application when the receiver with the necessity of the presence of Skip as it must go beyond the human self obstacles when necessary, either by following intentional or by following the harmony knowledge is Maechtlv of the same to another, the cores later on the levels of displacement within a single dramatic incident, and this is conditional on the existence of the level of total volume of dramatic incident, which includes all levels of the displacement of humanity, and within the limits of the general level of humanity. He worked a researcher to set up a formula relational between the concept of displacement in physics as a system application and the concept of displacement of reality by a new default through drama, to be approach concepts through the application accessible with the sample intentionality which sought at them research, process of inclusion attitudes drama and figures emanating from the research sample Balazahh dramatic Born conflicts dramatic new taking off from the mind of the recipient toward cognitive process of the human to become a levels receive tracking human self in the process of response or refusal to be in this case the creation of new levels to deal with rejection well, so the displacement here in two forms either levels in response to the incident, drama, or levels of rejection is in the two matters are not subject to factor the possibility, but be subject to the principle of multiplication of the situation dramatic is the principle of a standard balanced with the size of the incident dramas on the one hand and with the size of the situation drama on the other to be a conflict here a parallel with the cases, ie, that develops the situation dramatic size of the incident The more dramatic beating on the dramatic situation to be in harmony with the case of displacement.

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