Interpretation of humans and animal forms in the pottery of Samarra

	Interpretation of humans and animal forms in the pottery of Samarra
Journal of Nabo
Article 1, Volume 0, Issue 4, 2016, Pages 1-34
Abstract
Took care of current research exploring the interpretive human figures and animal pottery in Samarra, he studied the nature of interpretation as an activity in a self-active infrastructure of intellectual and aesthetic forms of awareness and understanding. Contains four chapters on research, and included the first chapter the research problem and the importance of the need for a mechanism, and the limits of the search, and the definition of terms. The goal of research is to identify interpretive forms of animal and Anthropomorphism in Samarra pottery. The second chapter included the theoretical framework of the research as it contains three sections The first section of which dealt with the concept of interpretation and the second the intellectual content and its effect on structural forms of art in the pottery of Samarra in the third section contains the system in the form of Samarra pottery scenes. The third chapter included research procedures and analysis of the research sample, while the fourth chapter is devoted to present the results and conclusions from the results that have been the most prominent connection to it. 1 - The interpretive forms of animal and Adamic came loaded with Bmdalal mentality of the contents of the phenomena of life are mixed with Bachkalat thought, based on it. 2 - forms carried the sign of permanence and continuity through the configuration and character of the movement that was organized by the forms on the surface imaging

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