البولیفونیة أو تعدد الأصوات فی الموشحات الأندلسیة

Albajajy, Bashar Nadeem

doi:10.33899/berj.2020.165722

	البولیفونیة أو تعدد الأصوات فی الموشحات الأندلسیة
College Of Basic Education Research Journal
Article 7, Volume 16, Issue 3, 2020, Pages 306-332 PDF (923.84 K)
Document Type: Research Paper
DOI: 10.33899/berj.2020.165722
Author
bashar nadeem albajajy^*
الجامعة التقنیة الشمالیة، الکلیة التقنیة الهندسیة / الموصل ، قسم هندسة تقنیات القدرة الکهربائیة
Abstract
Mikhail Bakhtin is the first critic to speak of this term that was transferred from music, this term was initially applied to the novel, the Polyphonian novel is that novel in which there are many characters in dialogue, and many points of view, and the scope of use of the term has expanded to be applied On the poetic text as a literary discourse contains a narrative character, and one of the conditions to be provided in the Polyphonian poem is to be extended over a suitable textual space, and therefore the multiplicity of voices and their interplay is reflected in the narrative poem based on linguistic deviations and deviation from its criteria where The real and customary personality expands within the Polyphonian poem, and this is what we found in the Andalusian manuscripts has varied artistic forms in it, and the research noted that andalusian manuscripts extend over a wide textual area and consist of reading, roles, lock and exit, and this gives them a dramatic dimension, and this dimension Drama is the basis for the formation of any diversity and multiplicity of voices, and the researchers saw that the literary text, which contains a dramatic dimension qualifies it to enumerate the voices and monitor the research in many Andalusian manuscripts diversity of consciences
Keywords
polyphonic؛ ؛andalus؛ ؛prismis؛ ؛؛; ؛ ؛drama

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