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Intertextuality with historical figures at the blind buyers in Andalusia | ||
| Anbar University Journal of Languages and Literature | ||
| Article 14, Volume 11, Issue 2, 2019, Pages 342-361 PDF (1008.82 K) | ||
| DOI: 10.37654/aujll.2019.170756 | ||
| Authors | ||
| محمد عادل محمد; أ.د. محمود شاکر ساجت | ||
| Abstract | ||
| The blind poets in Andalusia relied on heritage to draw their poetic paintings. They felt that Arab history in its personalities was a bright element in their poetic experience and a significant inspiration. So they summoned historical Islamic figures and historical political, literary and artistic figures along with the historical figures of women. But the historical political, literary and artistic figures were more present than the rest; perhaps because they see in the political and literary personality, including the pre-Islamic figures of those moral values and glorious virtues that Islam called for and established. So they tend to take from the origin maybe because they think that they are more present in the mind of the recipient. And this would not under- estimate the Islamic figures which also founded the highest degrees of morality and the best qualities. | ||
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