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POETIC DICTION IN GEORGIAN POETRY | ||
| Al-Fatih journal | ||
| Article 1, Volume 4, Issue 37, 2008, Pages 175-182 | ||
| Abstract | ||
| Poetic Diction in Georgian Poetry To be Georgian in 1912-1915….connoted several things. It meant to be modern ,in the sense that Georgian shared with the most pre-war poets the prevailing spiritual euphoria and the confidence that poetry was being infused with a new, vital release of creative energy it means also to be anti-Victorian ,to write poetry which , in tone ,form and diction, was free from both de fin siecle weariness and Victorian painted adjectives. (Marsh in Ross,p.33) As this suggests, the term describes primarily a certain temper, or set of mind, and not (strictly speaking) a poetic movement school. Edward Marsh introduced the first two volumes of the Georgian poetry which suggests, in the beginning at least, "Georgianism was not a poetic movement at all" .Through 1915 the Georgian poets were a group rather than a movement. By his brief preface to the first volume of Georgian poetry , written in 1912 , Edward Marsh stated that poetry in 1912 was beginning to strike out on new an exciting paths ; moreover he suggested that the new age would be somehow more vital , more stimulating more modern than the Edwardian Era which had preceded it . | ||
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