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Trends Aloslobahfa line Diwani | ||
| Journal of Research Diyala humanity | ||
| Article 1, Volume 0, Issue 47, 2017, Pages 512-541 | ||
| Author | ||
| luaai najem jarjis | ||
| Abstract | ||
| I have enjoyed calligraphy with interest the rulers of Muslims and care from the outset as the Holy Quran in this line, after the Islamic conquests and enter the people who were foreign to Islam disease Tune and reading the wrong reason they Linguists reform Arabic calligraphy and make it to the advanced stage is the most important reform steps that the shape and Diacritical. There were private schools taught this art which is art pure Arab, and those schools that taught Arabic calligraphy is the school line Diwani, which has become a kind of Arabic fonts fine for the magnificence and the possibility of the formation, Fezhrt School Line Diwani in Turkey, Egypt and tried to calligraphers in These countries know the most important trends of this type of lines and find out the main differences and advantages of formal letters in it. I found the need in this type of fonts to the magnitude of the importance of the course of the line in the service of Arab countries, especially in educational institutions and technical institutes Applied and students of Arabic calligraphy and decoration. Fahadvt study is to identify the main stylistic trends in the line Diwani in Turkey and Egypt-term (1254 - 1423 e) (1658 - 2003 AD) Vtm select a set of samples that formed the research community, which were divided into two categories: Sectionl :Compositions address bar and Sectionll: addressing engineering strucres were selected, two models of these samples to study the most important trends in the stylistic line Diwani in the two schools. The results in the emergence of a number of differences between the methods Designed to form the researcher adopted the vocabulary analysis of the methods by the characters and the degree of inclination and modifications and special cases of the letters. He also noted a number of conclusions, including the possibility of recruiting the line in Diwani calligraphy and decoration of the possibility of introducing an aesthetic complement to this line. Among the recommendations outlined in question has recommended a researcher interested in encouraging studies in Arabic calligraphy and general line Diwani particular, expansion in the study of trends in the Arab lines. The researcher proposed to design structures that calligraphers iconic structures added to the line Diwani | ||
| Keywords | ||
| Arabic calligraphy; font Diwani | ||
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