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Cutting / montage in Mahmoud Jindari's short stories | ||
| College Of Basic Education Research Journal | ||
| Volume 20, Issue 1, March 2024, Pages 48-64 PDF (367.06 K) | ||
| Document Type: Research Paper | ||
| DOI: 10.33899/berj.2024.182727 | ||
| Authors | ||
| Salem Najm Abdullah Al-Hiyali* 1; Rasha Abdul-Sattar Abdul-Jabbar Al-Dabbagh* 2 | ||
| 1College of Basic Education Department of Arabic language | ||
| 2Nineveh Education Directorate | ||
| Abstract | ||
| create the required effects in synthesising scenes and linking parts. The montage connects descriptive shots that are independent in meaning and are neutral in content, as this interaction gives an opportunity or a broader scope for the idea or topic within the film system since it is a semantic deduction that contributes to reaching new visions in a manner consistent with the general feature of the artwork. Montage is mainly related to how to move the camera and how to choose an angle to link one shot to another as a group of successive events works in the narrative text to form many images interspersed with repeated cutting that works to make an integrated event, and the group of these events creates a scene or many scenes, and the reader must seek continuity in time and place. Narrative works are hardly devoid of this mixed type, which combines the end of a previous chapter and links it to the beginning of a later chapter. The mixing is usually based on the main axes within the story, which are subject to titles, chapters, and subjects. The nature of the narration may call for deletion or montage to move from one place to another, to produce movement, to push the pace of time forward, or to skip visual elements and partial events that are not considered useful and effective in the course of the text. The montage intendedly uses the trimming method between the beginnings and the endings of the shots to create an intellectual and thematic coherence within the narrative structure. | ||
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