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The position of feminist approaches in the literature of Iran and Iraq and the tools of literature in serving feminist functions | ||
| Anbar University Journal of Languages and Literature | ||
| Article 5, Volume 16, Issue 2, June 2024, Pages 56-78 PDF (1.45 M) | ||
| Document Type: Research Paper | ||
| DOI: 10.37654/aujll.2024.147758.1076 | ||
| Author | ||
| Mohammed Musleh Mahdi* | ||
| Ministry of Higher Education and Scientific Research Office of the Administrative Undersecretary / Ministry Headquarters | ||
| Abstract | ||
| One of the most important topics of contemporary literature is the interest in women and their place in the family and thus society. The topic of women and their centrality in literary works is one of the most important topics and discussions in the last two centuries, and it has received the attention of many researchers in various fields of society, culture, politics, and even literature. Women have had their special position and position in the society and culture of various countries and in all eras. Women had a prominent presence in the ancient history of Iran, which is the same period of civilization and culture of the Semitic Arabs among the Rodanians and after them the pre-Islamic Arabs who lived in the desert, such as the Arabs of the Arabian Peninsula, Iraq, Syria, and others, where There were clear differences and similarities between these two cultures in the social and cultural status of this human race. In this research, we discuss how female symbols entered contemporary literature as one of the indicators of social developments, taking into account the social realities of Iranian and Arab society. The entry of female symbols into literature, especially contemporary poetry, is not an accidental event, but rather the result of the transformation of social relations in the world. The applicant. The change in the status and role of women in today's advanced world has led to the formation of a kind of harmony between the groups of society. | ||
| Keywords | ||
| Feminism; women; contemporary literature; modernity; myth | ||
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