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Sara Kane's Blasted : A Psychoanalytic Study | ||
| Journal of Language Studies | ||
| Volume 3, Issue 4, October 2020, Pages 1-26 PDF (962.94 K) | ||
| Document Type: Original Article | ||
| Authors | ||
| Hiba Abdulstar Mahdi1; Hamdi Hameed Al-Douri2 | ||
| 1Garmyan University | ||
| 2Tikrit University | ||
| Abstract | ||
| Sara Kane's (1971-1999) name is almost always associated with “In-Yer-Face Theatre because her plays belong to this new type of drama. The present paper attempts a Psychoanalytic Study of Sarah Kane's play Blasted aiming at discussing the new sensibility, 'in-yer-face theatre', presenting Sarah Kane as a typical example and then interpreting her play psychoanalytically by applying Sigmund Freud's theories of psycho-analysis. The paper falls into three main parts: The first section gives a brief theatrical background of the play; the second is devoted to Sarah Kane's Blasted. It provides a plot summary of the play and Section Three is a psychoanalysis of the play applying Freud's concepts and theories of psychoanalysis. The paper ends with a brief conclusion which sums up the results of the study. | ||
| Keywords | ||
| Sara Kane; Blasted; Psychoanalytic; Ian; Cate | ||
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