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Patterns of Artistic Image in the Poetry of Salah Abdus-Sabour | ||
| Journal of Language Studies | ||
| Volume 4, Issue 3, October 2021, Pages 260-277 PDF (738.45 K) | ||
| Document Type: Original Article | ||
| DOI: 10.25130/jls.4.3.17 | ||
| Author | ||
| Ahlam Amel Hazaa | ||
| College of Education for Women, Tikrit University | ||
| Abstract | ||
| The artistic image in its multiple varied patterns is considered one of the most prominent elements of the poem in all ages. The poem cannot be composed without an artistic image that expresses its poetic essence because it will lose a pillar of its aesthetic composition. Every academic critical study that tackles a specific poet or a specific poem looks at the artistic image as an aesthetic dimension that is indispensable. The artistic image is usually of multiple shapes, formulas and signs regarding its relationship to poetic structure, language, and rhythm . Salah Abdus-Sabour is one of the pioneering Arab poets, as he is the most prominent poet of modernity in Egypt since the early fifties with Ahmed Abdul-Mu’ti Hujazi, Mohammad Afifi Matar, and others. However, Abdus-Sabour is distinguished by his transparent poetic pictorial language that depends on a new language in Expression and composition. That is why the researchers find it appropriate that the poems of Abdus-Sabour are a fertile topic for this research in the field of artistic image patterns in modern Arab poetry. | ||
| Keywords | ||
| Artistic Image: Term and Function; Composite Artistic Image; Focused Artistic Image; Simple Artistic Image | ||
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