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The Use of Drama as a Mean of Criticism | ||
| Journal Of Al-Frahids Arts | ||
| Article 1, Volume 0, Issue 1, 2017, Pages 2-19 | ||
| Author | ||
| Ansam riyadh Al-Maroof | ||
| Abstract | ||
| This Paper, handles one of the recently written and performed Arabic plays, Yamama Bida (2007), a play written by Gamal Bekheit, directed by Hosam Aldeen Salah and performed on the stage of Al-Salam theatre in Cairo, its plot is derived from another Arabic context, 'Awdat Al-Ruh. The paper examines the new play as a critical text about the old one. In addition to these Arabic works, the paper presents two English plays one of them is built upon the other. The first is one of the most popular plays in modern English theatre, Rosencrantz and Guildenstern Are Dead written by Tom Stoppard who uses the story of another play too, Hamlet with special changes to present a work fits modern age rather than Elizabethan age. The paper examines how Stopper’s play can be regarded as a critical text built upon the original Hamlet. Throughout the examination, the paper concludes that there are many such plays which can be used inside the class to enhance the students’ critical comprehension and how drama can be used as a mean of critical process. | ||
| Keywords | ||
| The Use of Drama as; a Mean of Criticism | ||
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