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The Aesthetic Application In Islamic Geometric Decoration | ||
| CONTEMPORARY ISLAMIC STUDIENS MAGAZINE | ||
| Article 1, Volume 2, Issue 4, 2011, Pages 1-15 PDF (0 K) | ||
| Author | ||
| Hazim Aboudi Kareem | ||
| Abstract | ||
| Industry is decorative elements of Islamic, one of the crafts mission in the countries of the Islamic world and the Western world, especially Mathakgah in the embodiment of reality cognitive meaning of Islamic thought and its applications, since it depends primarily on a literal hand and then craft the machine, and create appropriate designs in many of the arts, including architecture and composition of technical , as in turn depends on the skill of the designer, in the selection of decorative elements in a sound and thoughtful study of scientific and logical to achieve sobriety and to influence the aesthetic and functional effect in the recipient because it is the first Taster. We have adopted the decoration since the beginning of growing up on the structural elements, a variety of ways were her hallmark in the countries of the Maghreb and Mashreq, too, from here came the attempts by designers, academics, specializations in the field of design to achieve the style of their own unique and carries identity and privacy of the history of the region and the environment, with associated reference, cultural and intellectual and civilization, to be a milestone in the decoration model. Also comes the importance of research in the Declaration of the relationship between the aesthetic thought of (Ghazali) as a model philosophical Islamic, and try to apply some of the ideas of philosophy on what is happening in art and it (arabesque), which means the design on the brick architecture, by shining a light on the mechanism of recruitment of Islamic thought in production of decorations, to reflect the cultural aspect of Islam and the Orient and artists through the selection of decoration and other technical elements. The research in the two sections are distributed the first with double academic and procedural, turned first to the definition of thinking philosopher, and the second in the formulation of the model of the decoration as part technical study illustrative of the principles of design, with an indication of the importance of the foundations, in the organization of elements in a manner technically, and finally the statement of findings and proposals and then a list of sources. And God the Source of strength | ||
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