Toward Electronic interactive criticism

Bin Ahmad Alfaifi, Abdullah

	Toward Electronic interactive criticism
Al-Mustansiriya Journal of Arts
Article 1, Volume 0, Issue 47, 2017, Pages 1-12
Author
Abdullah Bin Ahmad Alfaifi
Abstract
The difficulty in dealing with critical electronic interactive poem in how he described, analyzed, and then the delivery of critical reading to the reader, as this poem based on technology. For this we need to (critical reading interactive electronic), comparable to the nature of the poem electronic interactive, but was reading a traditional text is a traditional and familiar, is not ready for most readers, and will not be possible for the reader to follow what we offer to him, but within the elite tight. That what I felt in the face of a poem poet Mushtaq Abbas Ma'an, entitled "Digital kbkimbrough biography, some blue," on the "Palm and neighbors," mail. That is inevitable attempt to remain less than ambitious, and revolve in the orbit of the overall assessment of the experience, without the multiple details. Perhaps what Ijaha familiar with - I do not say the reader; because the process to receive the poem electronic interactive no longer read the text, but is the interaction with forms of different art, of: text, image, and music, as well as icons, and links Altcefhah, and circuit boards - is that between the Diaspora: (board), and (footnote), and (margin), and (other forests), and (tapes pass Glance). It is a tree Nsusih electronic, remind us - with a difference - the art (poetry afforestation), identified in the heritage of the Arab-century atheist century AH, the seventeenth century, poetry or engineering, is different in the history of his appearance. However, the reader misses the poem in its interaction with the interactive e-Wahidi the Incarnation of the text, what Ieish pieces of text in the forest, lured his aesthetics, the beauty of singing tree, with branches, and twigs, and flowers, and fruits, and Ottiyar.

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