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Semantic openness in Surat poets Analytical study of rhetorical | ||
| Al-Mustansiriya Journal of Arts | ||
| Article 1, Volume 0, Issue 49, 2017, Pages 1-16 | ||
| Author | ||
| Saad Mohammed Ali al-Timimi | ||
| Abstract | ||
| Have been able to Quranic text to exceed the inheritance aesthetic and rhetorical tastiest Arabs assets they have, through organized by the upright the words and turn into a format that controls the production of a number of connotations that do not make the text the meaning of unilateral, but these multiple meanings may unite and cooperate in the expression wool particular subject, This is what We're going for in this search. The teem context Quranic many of the changes that are grown in the same recipient surprise and excitement and the desire to interact with the text of the Quran, and that to demonstrable words and structures, and pictures from the opening indicative pull the receiver about the text strongly, it is - that is, openness semantic - the multiplicity of meanings in the context of the one and concerted together in a sign context which is so close to extent of the term (the meaning of meaning), who put Abdul omnipotent Jorjani in writing (evidence of miracles), and since the Surat poets have included many pictures of openness semantic, a Sura which is the call to faith the Lord of the Worlds, we tried to Find Mtheradtha contextual and dimensions of the tags, and when reading the sura, we found that this shift is reflected by opening up the Semantic which is based on the multiplicity of significant word or installation or image to contribute to the two posts, one aesthetic and other semantic cooperate in the delivery of meaning for the recipient and pull him towards the text in order to interact with and be influenced by what posed and this is a very text of the Quran to convince the recipient of aesthetically pleasing and logical language of the Koran, including in respect of particular stylistic features unique and characterized by Mtmizhdjaltha miracle. | ||
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