Language of the novel In the light of Bakhtin's theory

Saleh Hameed, Bassem

	Language of the novel In the light of Bakhtin's theory
Al-Mustansiriya Journal of Arts
Article 1, Volume 0, Issue 49, 2017, Pages 1-15
Author
Bassem Saleh Hameed
Abstract
Has been the practice to look at the language of poetry as a key element in Jamalith, while the key element in the aesthetic fiction lies in its elements and arrangement of these elements and cohesion within the text novelist, a so-called plot. Were not the language of the novel matter in the critical studies and literary theory, on the contrary language of poetry which was a central cultural rights (or powers repellent towards the center), representing the center of the culture of power and politics in terms of ideology, language and the upper and creative in terms of formative, poet ( (takes it upon himself, exactly, did his act, which becomes pronounced, in the first place, is not represented, and without quotation marks)). This resulted in interest in the language of poetry marginalization of the language of fiction, at best measured on the criteria of poetic language, which hit hurt too, as seen as a neutral language not an aesthetic in which as well as the focus of critics on the ideology of the text novelist only and this is what we found in the One of the most important books of cash, which focused on the beauty of language in literature, a book "The structure of poetic language" of the critic French "Jean Cohen," employs the principle of statistical, as is the image rhetorical or displacement measure of language, literary, and finds that ((the difference between poetry and prose quantitative more than qualitative, since it deviates Both types frequently Alodbean Alandziahat)) means that the language of prose Cohen subjected a confirm on the language of prose fiction to the standards of poetic language, and then robbed them Charitha real.

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