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Linguistic roots of the modern literary criticism | ||
| Al-Mustansiriya Journal of Arts | ||
| Article 1, Volume 0, Issue 50, 2017, Pages 1-21 | ||
| Author | ||
| Ahmed Nahm | ||
| Abstract | ||
| Adopted the criticism since its inception on the basis of lingual; grammatical, and morphological, and synthetic, and Anmaz critic veteran in various stages of the discovery of errors and problems, which was signed by the poet, or writer, this, as well as Drlsh texts study compositional and morphological, and semantic, .... . . Criticism if: aware of his tool basis (language), which is a measure of right and wrong, and it distinguishes the critic good levels; good, the bad, and between these two levels. When we define stylistic say, is the science of tools derived from the knowledge of the tongue critic literary analyzes the text according to methods taken proposals from various schools of modern linguistics; manufacturing, or obstetric, and text, and sound, and semantic ..... . Critic stylistic levels of language invests the literary text in the detection of various text properties; revealing the elements of uniqueness, differentiation and differences that the author of this text who else from the other writers. When we speak of the structural framework does not move away from the study of texts an internal study, independently of any external influences (psychological), social, or ideological. The text in the eyes of the structural architecture list on their own, and self-contained; structure linking the various elements of a network of contiguous relations, which of course refers to the principle of self-generated. It examines critical structural text at different levels; including: voice level, and the morphological level, level of lexical and semantic level, and a symbolic level. These levels are based on knowledge of the tongue. | ||
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