The Intuition between theory and practice in the text theatrical play misunderstanding as a model

Ali Hadi, Ievan; Ahmed Shihab, Wessam

	The Intuition between theory and practice in the text theatrical play misunderstanding as a model
Journal Of Babylon Center for Humanities Studies
Article 1, Volume 1, Issue 2, 2011, Pages 94-126
Authors
Ievan ali Hadi; Wessam Ahmed Shihab
Abstract
Research Summary Knowing whether time and space within the text theatrical reality of what we believe or see or feel it, this leads to see if the killing symbolic of others and to the world and cut vision and visual, thought, and found it all leads to questions put in front of sensations and ideas, all of which is plucking really comprehensive that can not be accessed only by the forces of more ingenuity that will move understanding abstract of the feelings the other bank the bank informed understanding of the insider events and produces philosophy whereby, the outlook abstract will not be able to apply only to things that are located in front of As for the substance which those meanings internal They exist only legitimate right which can be relied upon to analyze text playwright and this strength and motor is undoubtedly (intuition) as brokered can raise everything to the level of substance that produces ideas and possibilities substance can produce and packaged and contain events those possibilities are derived from the strength of intuition Assorted to do so. The process of trauma caused suddenly the incidence of Sense on their misguided produce imbalance and spends the individual toward equilibrium again and cut off then conduct mental processes and enters in the field something new, and there then the case of conscience may be violent until it reaches the enthusiasm and flowing in mind torrent suddenly of ideas and images. Call for this sudden moments of creativity, which vary accompanied by moments and emotional crises seem far from the normal operations of the mind and feeling, far from the rule of the will and control, for all that we call the (intuition). Can count this interpretation, in fact one of the oldest interpretations and observations suggest that the concept of intuition in the minds of critics and poets throughout history available in Subliminal automatically prevail in each and make them able to be creative, and this is what we find and clearly the poets Greeks and Romans and behind them in subsequent ages, This depends on the extent of their dependence on intuition or perception makes sense. So researchers deliberately to study (intuition) to clarify the basis of that relationship between the vision and its application to the theater because of its text from a consensual relationship to the adoption of the text on the creative situation of the individual that was a writer or director or a representative or the recipient. The search is in four chapters, which included the first systematic framework of the research, the research problem question centered on the following: Are the scripts intuitions reach the reader to understand than perceived mental aesthetic of the scene? While reflected the importance of research as accomplishing cognitively cash benefit Darcy theatrical texts and critics from finding structure of the text according to visualize cash intuitively, and thus founded the need to research the work to detect recruitment of data aesthetic and imaginative and actual intuitions reading and linked foundations specialist texts of the play, as well as it was derived target basis for research is known (detected aesthetic features of intuition and ranges employed in the theatrical version), either beyond research has been limited to global theatrical texts, and conclude chapter identifies some of the terms contained in the title search. The second chapter evolved to include theoretical framework given to associated research topic, and consisted of two sections each one taking part significance to the nature of the problem as it included the first intuition in philosophical world and the second topic: intuition in philosophical world has effort researchers to cover belongings and themes theory aid of references and Arab sources, also included this chapter resulted in the theoretical framework of indicators. The third chapter evolved to include search procedures, which included the research community and the same search of theatrical world is a model search and a search tool that included researchers adopted indicators theoretical framework built and addressed honestly and consistently tool included as well as a research method descriptive approach. Included Section II of Chapter III analysis of the sample according to the above fourth quarter included the results reached by the researchers in their research were discussed and know where intuition, and included as well as the conclusions that emerged from the research and a list of the margins and proven Arab sources and references.
Keywords
Humanities; Arts; Theater

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