1 - In the light of what we discussed, we can determine the level of infrastructure property, which reached critical discourse old Arab, as a built proactive and are subject to re-seconds, which allows them to area because live again side by side with surges with our era of curriculum criticism and Mostagdath.
2 - hence the view of the West and its luster Almenbhrh cash represents the first case and the hash of the image that require re-disclosure, calendar, to clear through which monetary value of the Arab heritage.
And thus can bypass the outlook fractional representing the _ right _ and one of the bumps President of the speech is critical of contemporary Arab cross Artkazh standards Western exchange is far from the nature of the Arabic text and its particular characteristics, because it came out of the coat of knowledge has properties that distinguish it, so get down, for example, application method PRWEB the folktale or theoretical oral Barry Lord or approach Strauss in his study of myth and not so much, is, in fact, aside superficial or Tdzeia in the approach to Arabic texts, especially poetry, as more races stubborn in Mhalith, and that such an approach is no more than to be mere approach confused devoid of privacy cognitive and aesthetic, to match what is in these approaches from the perception and the practice of exact match, this match what he is doing fake because no matter how Hoh, it remains an emulator at best, while back approach true to is what leads him this behavior, because it stands on the privacy of the text through the concrete reality and Zbzbath and emotional connotations of language and suggestive.
3 - Of course, all these propositions concerning Bjohria critical discourse old Arab, make of the letter agreed extended can be formulated in the approved new monetary basis of the overall issues addressed and the relationship with a completed cash-modern world, and the research on the relationship of this tradition Moundz cash talk may result in different readings and targets may be variable, but important to maintain the national identity as opposed to the attempts of invasion and distortion of cultural, we say this because things have been intermingled with the other, which is seen to the case of re-building tradition and as a rejection of the concepts of cultural civilization the new imposed by the developments, In return for all this seems propositions on the development of the practice of Arab monetary modern is one of the narratives of Arab thoroughbreds, because it stems from Tadelah creative between privacy and the world, or between a local issue and a global technique that you will, because the production of knowledge is inseparable from the * internal cultural and needs stemming from its surroundings, with the implicit recognition of the importance of the interdependence of cognitive condition to stay within the circle of maintaining the angle of direction.
4 - This is the foundation approved a cash modern Arabic seems to matter for granted do not need to???? Many long as there is a consensus almost a year, it is clear that such a proposal may be passed by the musicians they are talking about a return to the ancient origins of the music of East in order to reach Arabic music authentic, and discovered painters decorative Islamic art of calligraphy and architectural forms of old and made it an essential basis of grounds of modern painting with privacy Arab and sink dramatists in search of stories of the heritage and legends of Arab and borrowed the shapes of old shrines and religious rites and social customs of old, and live of the new formats a storyteller popular, not filmmakers immune to this phenomenon, and all this which confirms the authenticity of this trend, which should to the specialists in the affairs of cash to do the same also |