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Tag dome in the work of the artist and me Dad Mackie Alaorvh | ||
| journal of arabian sciences heritage | ||
| Article 1, Volume 0, Issue 3, 2018, Pages 92-109 | ||
| Abstract | ||
| We have established the artist's old Iraqi, without a doubt, first foundations for the Arts was still its an important source for schools art all since historical times and earlier, and Doltha successive civilizations in the home, and abroad, has become the art of Mesopotamia prints many of its properties and characteristics of those civilizations. When the light of Islam dawned eternal and dispelled the darkness of injustice and was born from the womb of art that the beam has the characteristics and attributes characterized and characterized. And when extended the scope of Islam characterized arts as well as of widespread elements that characterized the new unity in diversity, or diversity of the unit, to be exact, and it was the most prominent elements of the Arab-Islamic art domes and minarets, arches and decorations of all kinds. The counting model Umayyad, without doubt, the first schools of Islamic art, and then matured later in this valley, the fertile their land and humanity, lines of the School of Graphic Novels in the Abbasid period carry an foundations inherent inherited art has become a source of radiation is not of the regions, which is bounded, but for all mankind , as appears by the shining light that lit up the routes that the testimony of human history throughout the ages, and that the solution to the twentieth century even in sight at the signs of contemporary Iraqi art. Appeared in Iraq's modern artists Contemporary several inspired the bulk of threads work of history can, after it was created by the methods suited directly proportional and the march of global development rapid and wide in all areas of life, especially new technology, Vgesduha works of art Tzmt their name and carried the effects of their history, the Orient through the ages, and Iraqi artist and Dad Alaorvh me (the subject of this study), only one of these artists, this is the artist who translated her feelings honestly and delicate dissolved in the work of a wonderful, can be said about it, was characterized by a unique manner rarely found at other artists. This study involved four chapters: Chapter I contained the (methodological framework), the importance of research and it is needed, and research objectives and boundaries, and identify the most important terms that appeared in the title of this study. The second chapter (theoretical framework), addressed the first topic touched on two themes to the historical roots of contemporary Iraqi art. The second section addressed the study of the artist and Dad Mackie Alaorvh me. And ensure that Chapter III of search and analysis of the most important acts of samples Iraqi artist and Dad Mackie Alaorvh me. The fourth chapter discusses the findings and conclusions, and then the most important sources and references used in this study. | ||
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