The art of deportation (binding) in the Maghreb during the reigns of the Islamic

	The art of deportation (binding) in the Maghreb during the reigns of the Islamic
journal of arabian sciences heritage
Article 1, Volume 0, Issue 4, 2018, Pages 115-132
Abstract
The art of deportation (binding) in the Maghreb during the Islamic eras Dr.Wijdan Fareeq Enad The Arabs before the advent of Islam write on the stones and animal skins, and then used the slavery of the writing, and so moved the form of the book of the Muslims of the file to the Koran, and after this development took the parchment to cover external saves, was the art of bookbinding, or the art of conveyance as is known in the country Morocco.This art began in the monasteries and churches, has gone through several stages of evolution at the hands of Muslim scholars, as used in the first two sheets of wood between them the book, then use the skin, derived from label binding.To study the art of binding the Muslims great importance to know what became of the Muslim countries of the progress in this art, which is an important part of civilization of any nation, research has focused on the art of bookbinding in the Maghreb during the Islamic eras.The art of deportation of Muslims over the different roles, and is the eighth and ninth centuries AD / fourteenth and fifteenth centuries, the golden age art deportation, and the binding of the Islamic role in the development of the art when the Europeans.Moroccan and the folder in the decoration of brilliant book cover and Tzoaiqa, so the book became amasterpiece, it is used several tools in the implementation of decoration, Kaldguet and punching and punching, with the giving nature of the Moroccan private travel of the book. As for the decoration, the decoration and plant engineering and written material was the basis for the folder in the Moroccan decoration packages.

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