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Semiotic address and personal heritage in the poetry of Muzaffar House stringed instruments choice night | ||
| Journal of The Thi Qar Arts | ||
| Article 1, Volume 1, Issue 4, 2011, Pages 127-141 | ||
| Author | ||
| sami kareem moshi | ||
| Abstract | ||
| Muzaffar ِِAlnwab poet absentd from the literary scene, especially the Iraqi ones, as it did not come arabic critic or Iraqi that deals with his poetry from near or from afar, also deserted the literature of critical mention of this poet, says Dr. Adel Alousta, despite the wealth of linguistic and artistry, which was full of by his poems, which can not be reduced, possibly to the trends of the poet and political opposition and criticism stinging of the Arab regimes and Arab rulers and photographed naked of the political, social and economic conditions in Arab countries was the main reason behind the reluctance of critics taking his poatry with some criticism as the reason for the removal of the poet for his country for almost four decades and prevent the circulation of his poems in among the Iraqi people, from here came the idea of research is that we raise even a fraction of this injustice and exclusion literature, which took place on the poet, which is no less important than Bayati, Aljwaheri and Blend AlHaidari and Saadi Youssef and other Iraqi poets who saturated his production researching and critic, as well as our belief that the Alnwab is a unique poetics phenomena in Iraqi poetry in particular and in the Arab generally have not seen those since Mutanabi, as a phenomenon in popular poetry, and this is not dialectical by the reader of iraqi's poetry that the Alnwab has established a school in the popular poetry has become belongs to a lot of folk poets at the present time. Take this search by curriculum semiotic tagging and craftsmanship recruitment of Representatives for the characters to the legacy of his poatry, and since the place does not allow us to address all of his poems, which came in the Cabinet we limit it to a poem AL-wateryat AL-Laylyah as it occupies the bulk of the poems because it composed of four movements with suggestive dimensions and indicative and the abundant and rich with mention many heritage personalities which must have been lead an symbolic and semantic role in the text, and it was our choice of semiotic approach meant being choice -as we believe - the approach most appropriate to lift the code of those symbols and codes that came in the text which can not be reached to another approach. Finally, I wrote this research type research on Muzaffar Alnwab talking about the poetry of Alnwab with what I have of cultural backgrounds and monetary tools to be at least a trigger light a candle to illuminate the path to explore it (marvelous mine), which is inexhaustible, as described by scholar Dr. Muhammad Mubarak. | ||
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