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Hero image at Romain Rolland: Beethoven as a model: | ||
| Journal of The Thi Qar Arts | ||
| Article 1, Volume 2, Issue 5, 2012, Pages 32-48 | ||
| Author | ||
| Abbas N. Abdu-allah | ||
| Abstract | ||
| After the horror of two world wars, heroism has lost the appeal he had at the time of Romain Rolland. Western society is the most revered and literature has more anti-hero or hero insignificant. In the novels, the protagonists now reveal contemporary range full of human feelings and weaknesses. The hero who has faith in life and Humanity appears rarely. Yet in the early twentieth century, heroism was part of Western culture. In France, in particular, the cult of the héroïsme1 reigned, a phenomenon partly attributable to Romain Rolland, author, historian and musicologist, through the launch of his biography, Life of Beethoven. It is our love of music that made us discover the writer Romain Rolland. We realized that the writer did not like some composers whose music was dear to us. It was indeed a marked preference for composers he described as "heroic". Why did he prefer these Rolland composers? This question prompted us to examine the importance of heroism rollandienne in philosophy. In doing so, we also realized the central role of music in the lives of Rolland. Thus the purpose of this research is the study of musical influences and life of composers who have shaped the design of rollandienne hero. | ||
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