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The Semantic Uniformity in the Artistic Image | ||
| مجلة ابحاث البصرة للعلوم الأنسانیة | ||
| Article 3, Volume 34, Issue 1, 2010, Pages 22-44 PDF (0 K) | ||
| Author | ||
| Mulood Mahamad Zyid | ||
| Abstract | ||
| The present study investigates the aesthetic structure that dominates the elements of the image and connects them within internal or external artistic relations. Speaking of the artistic image and its effective role in establishing the text literariness, it is most noteworthy, perhaps, to mention that the image itself represents a sensorial realization of an internal feeling dominated by motivators. The latter are created by the different elements of the literary work and the selection technique adopted by the composer in relation to each of these elements in an attempt to restore the balance between what is realistically actual and what the composer supposes it to happen. In other words, what can be called the aesthetic creation of the world is seeing reality from the artist's perspective. This viewpoint does not rely on the literal conveyance of what falls within a specific circle and does not adopt a photographic approach which is based on accuracy and clarity in representing things and conveying them to the receiver. Rather, it paints the selected items in colours that correspond with the nature of the feelings accompanying the process of conveyance | ||
| Keywords | ||
| Semantic Uniformity; Artistic Image | ||
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