الفن في شعر ابن خاتمة الأندلسي دراسة في تركيبه الصوتي

Leftah Baqir, Dr.khalid

	الفن في شعر ابن خاتمة الأندلسي دراسة في تركيبه الصوتي
Journal of The Thi Qar Arts
Article 1, Volume 2, Issue 7, 2012, Pages 45-79
Author
dr.khalid leftah baqir
Abstract
The aim of this research is to tackle the phonetics construction which depends on internal and external rhythm in Ibn Khatimah,s poetry , and studies the musical structure which takes place in his poetry in several ways such as : repetition , division, ornament, paronomasia and reiteration. So the research sheds some light on his meters and rhyme , which represent the musical value in his poetry, then the prosody formation is being a contradiction nature between the quiet of Mustafilun and the relative fast of failun . In his poetry which has a high technique to express his emotional cases , and harmony with ardent love personality , which takes place during the time of his creation of artistic work . We notice that his rhyme has strong relation with music of his poetry. He uses a new skillful poetical technique depends on using more rhyme in one poem . Ibn Addurayhim surpasses him , because he uses this technique before him and more than him . The concentration of the poet on one letters definitely flows from his emotional nature or echo to what he fells at the time of writing his text . What we observe in Ibn KHatimah ,s diwan is that his ability to use tone of illah,s letters , The paronomasia forms musical phenomenon , which has extensive influence. The paronomasia is not rhetorical flourishes, but it has the impact to direct the meaning , in regard to its ability to grant the poet with capability of tone , which gives surprise after obscurity .

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