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The Comic Elements in William Faulkner's The Reivers | ||
| Alustath | ||
| Article 1, Volume 0, Issue 203, 2012, Pages 113-126 | ||
| Authors | ||
| Inst. Dr. Saffeen Nu; man Arif | ||
| Abstract | ||
| Undoubtedly, the American novelist William Faulkner (1897-1962) occupies a unique position, among other American literary figures, as one of the pioneers of modern American novel. For decades, the works of Faulkner have inspired as many attempts by critics to study, analyze, and evaluate them as the number of potential interpretations that studying each work may still yield. As Faulkner's novels, like any other literary work, can be viewed from different angles or perspectives, the goal of this paper is to shed some light on one of the readings of his last novel, The Reivers (1962), as a comedy whose purpose is to ridicule the manners and follies of certain classes in Faulkner's native land, namely, the American Deep South. It also attempts to show Faulkner's masterful approach of his topic and his capacity to handle it in such a way as to convey his vision, which indeed has to do with his favorite subject; that is, the human heart and its problems. | ||
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