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Dylan Thomas: The Vision of Death as a Prologue to a New Life | ||
| Journal of the College of Languages | ||
| Article 1, Volume 0, Issue 27, 2017, Pages 1-13 | ||
| Author | ||
| Nadia Ali Ismael | ||
| Abstract | ||
| Dylan Thomas (1914-1953) is a modern poet belongs to the apocalyptic movement of the 1940's.This movement is influenced by the doctrines and techniques of surrealism. Poetry for him should not be primarily concerned with man in society, but with the celebration of spiritual truth. It should bring to light the hidden causes, hence his personal interest is to strip darkness and explore the inward motives. To do this he uses a cluster of images: a constant building up and breaking down of images. His poetry depends on the romantic spontaneity, suggestiveness of the Symbolists and the the surrealists' mysterious liberation of the unconsciousness and the emotional involvement in the dynamics of life. In "Light Breaks Where No Sun Shine" ( 1934) Thomas celebrates a rejection of the idea of death. Man lives eternally in the forms of nature. Thus death bears with it a sense of entrance rather than exit. In the "winter's Tale" death is the resurrection, a necessary step for the physical and spiritual regeneration. | ||
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